The Mistress - Contents

Introduction: A Personal Statement
I am a mistress... my primary reason for writing this book is self-examination. I have reached a stage in my life where it is impossible to view repeating patterns as accident.

What is a mistress?
For my purposes, at its simplest, I take the word 'mistress' to mean someone who is having an affair with a man who is married to someone else.

The lure of forbidden fruit, or why some women become mistresses
...the mistress, identifying herself with Lilith rather than with Eve... and caught up in the tumultuous and fatal passion of Tristan and Iseult,forever lures man out of the realm of the conventional and socially acceptable into the forbidden zone, out of the Garden of Eden and through the devil's door. Perhaps...

The goddess & her courtesans, & how they differ
...Aphrodite needn't consider consequences, but gives herself to love - and sex - here and now, when desire, sensuality, passion claim her. Hera, the wife, thinks in terms of families, the future, legal arrangements, security, but Aphrodite goes with the moment. And as she is renewed every year, her amorous intrigues leave no mark. Whereas for a mortal woman, no action is without its consequences...

Cupid & Psyche
Once upon a time there was a king and queen who had three beautiful daughters, and the youngest of them was so beautiful that she was beyond the power of human speech to describe...

Heloise, who longed to be a mistress
...Though Heloise's views on the respective natures and appropriate spheres of men and women place her firmly in a medieval world, her understanding of love and the questions she poses about the institution of marriage make her a figure of timeless, universal appeal...

Hera, who hated mistresses
...One thing which is noticeable throughout history is that women, Hera-like, turn on one another when they're powerless to resist what men mete out to them...

George Eliot, mistress despite herself
Although George Eliot lived for twenty-four years with a man who was legally married to another woman, she would never have accepted the title 'mistress' in relation to herself... Yet I would suggest that, throughout her life, this eminent Victorian displayed certain marked characteristics of what I have termed the 'mistress-type' and for this reason an examination of certain aspects of her life can yield some insight into the figure of the mistress...

The Royal Mistress
...what has changed? Clearly princes haven't...

The Political Mistress
...Megan Lloyd George possessed all the qualifications to be termed a 'political mistress' . The daughter of a politician who was to become Prime Minister, a politician herself, and the mistress of a politician, she managed to keep her liaison hidden, with only a few close friends knowing the truth, throughout her life...

The Artist's Mistress
...To the outsider, Gwen John's obsessive passion for Rodin must have looked embarrassing and useless, bringing her only grief; but the artist in her knew exactly what she was doing.

The Writer's Mistress
The forte of the woman who is not only the mistress of a writer but a writer herself is rewriting: the rewriting of her own history to make it more palatable both to herself and to her readers and admirers, the reinterpreting of her situation as it occurs to make it conform more nearly to her wishes...

A Contemporary Writer's Mistress
...I have interviewed and had access to the correspondence of Vanessa, a woman who had an affair with a novelist for about four years in the early 1990s...

A Repentant Mistress
Someone with the independence, breadth and depth of interests, and ready affection of the novelist and journalist Rose Macaulay (1881-1958) could not be expected to love conventionally or not to love where it might be undesirable...

A Conversation
The premise of this fictional conversation is that these three women - Lara from Boris Pasternak's Dr Zhivago, Dinah from Rosamond Lehmann's The Echoing Grove and O from Pauline Réage's Story of O - have all (despite the chronological impossibility) read one another's stories. And now, in some limbo of the imagination, where characters brought to life by their creators can never die, they compare notes...

A Balancing Act
I've called this final chapter 'A Balancing Act' because that is what it is - an attempt to balance what may seem to be opposing conclusions, thinking one thing one moment, something else the next, sometimes two or more things at once. I didn't want to call it 'Conclusions', as any conclusions I may reach are tentative, and the stories of mistresses I have included and the inferences I have drawn from them are intended as starting-points for the imagination rather than recipes for living. A balancing act is also what a mistress is called upon to perform, balancing her own needs and desires with those of the other 'members' of the triangle, balancing her independence and her dependence, her need to be loved with the strength of a self-giving love, and so on - keeping her balance in a situation in which it would be so easy to fall and wreck everything. It is also an 'act'; disguise is necessary a great deal of the time...

(Copyright ©Victoria Griffin 1999)

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